Meticulously created graphite drawings by Charles Keillor and painstakingly captured photographs by Robert Keziere are in a two-artist show on now at Gibsons Public Art Gallery. Keillor’s 18 works, like Behind the Point (30 by 53 in.), are featured in the main gallery. Hanging in the adjacent Eve Smart Gallery is Keziere’s exhibit, The Means of Making: Documenting Geoffrey Smedley’s Machine Room, consisting almost entirely of photos taken in 2009 with a vintage-style Deardorff view camera, using time-exposures lasting from 20 to 50 minutes. Included in the exhibit is also a mechanical hacksaw from Smedley’s machine room.
